Color Analysis Guide
How to Know What
Season You Are
Your color season is determined by four traits in your natural coloring. Get those four right and your season follows logically. Here's how to read each one.

What a color season actually is
A color season is a label for a specific combination of four traits: your undertone, how light or deep your coloring is, how clear or muted it is, and the contrast between your features. That combination determines which colors work with your natural coloring rather than against it.
The original system had four seasons. The expanded 16-season system splits each into four subtypes, giving more precision for people who sit between the original four. Most people find it more accurate than the original version.
Knowing your season doesn't tell you what you're allowed to wear. It gives you a reliable palette to work from, and a filter for understanding why certain colors consistently let you down.
The four things that determine your season
Work through these in order. Undertone is the most important; the others refine the result.
Undertone: warm or cool
The most important signal. Warm undertones have golden, peachy, or yellow hues; cool undertones lean pink, rosy, or blue. The vein test is the most reliable at-home method: blue or purple veins suggest cool, green or olive suggests warm.
Five undertone tests you can do right now →Depth: light or deep
How light or dark your overall coloring reads. Look at your hair and skin together. Light coloring — fair skin, blonde or light brown hair — is on one end. Deep coloring — rich dark hair against deeper skin — is on the other. Most people fall somewhere in the middle, but you're usually closer to one end.
Clarity: clear or muted
Whether your coloring has a crisp, vivid quality or a softer, dusty one. Eyes are the most reliable signal here. Clear eyes have defined irises with visible contrast and sparkle. Muted eyes look blended or slightly hazy. How you look in bright, saturated colors confirms it: clear coloring can carry them, muted coloring tends to be overwhelmed.
Contrast: high or low
The difference between your hair and skin. Dark hair on fair skin is high contrast. Blonde hair on fair skin or dark hair on dark skin is low contrast. This axis shapes how much color separation you can handle in an outfit without it looking off.

Putting it together: how the seasons map out
Once you have your four axes, the season follows a simple logic. Warm undertone leads to Spring or Autumn. Cool undertone leads to Summer or Winter. Then depth and clarity split those in half: warm + clear is Spring, warm + muted is Autumn, cool + muted is Summer, cool + clear is Winter.
The 16 subtypes refine within those four. Here's where each lands:
| Season | Undertone | Depth | Clarity |
|---|---|---|---|
| Light Spring | Warm | Light | Clear |
| True Spring | Warm | Light–Medium | Clear |
| Bright Spring | Warm/Neutral | Medium | Very clear |
| Clear Spring | Neutral–Cool | Medium | Very clear |
| Light Summer | Cool | Light | Muted |
| True Summer | Cool | Light–Medium | Muted |
| Soft Summer | Cool/Neutral | Medium | Very muted |
| Cool Summer | Cool | Medium | Muted |
| Soft Autumn | Warm/Neutral | Medium | Very muted |
| True Autumn | Warm | Medium–Deep | Muted |
| Deep Autumn | Warm | Deep | Muted–Clear |
| Dark Autumn | Warm | Very deep | Muted |
| Bright Winter | Cool/Neutral | Medium | Very clear |
| True Winter | Cool | Medium–Deep | Clear |
| Deep Winter | Cool/Neutral | Deep | Clear |
| Dark Winter | Cool | Very deep | Clear |
What if you're between two seasons?
Roughly a third of people sit on or near a border between two adjacent seasons. Human coloring is a continuum, not a set of discrete boxes. The system isn't broken when it puts you at a border — it's being precise.
If you score borderline, treat it as useful information: both palettes partly apply to you. The colors that appear in both seasons will almost always work. The colors unique to one season are where you experiment.
The most common borders are True Winter / Deep Winter, Soft Autumn / Soft Summer, and True Spring / Light Spring. If you keep landing between two of those, the border is the answer, not a problem.

Where people get stuck
The most common mistake is testing undertone under artificial light. Incandescent bulbs add yellow warmth that makes cool undertones read warm. Always assess in natural daylight, ideally away from direct sun.
The second mistake is judging depth by skin tone alone. A person with medium skin and very dark hair sits in a different depth category than someone with the same skin and light brown hair. Your hair contributes heavily to where you land on the depth axis.
The third: confusing what you like with what works. If you've worn warm earth tones your whole life out of preference, it can be disorienting to score clearly cool. The season describes your natural coloring, not your taste. Those two things can be different, and that's fine.
Common questions
Can I figure out my color season without a quiz?
Yes, but it takes longer. You need to assess four things: undertone, depth, clarity, and contrast. Work through each one and the season usually becomes obvious. A quiz structures the same process and reduces the chance of misjudging one axis.
What if I get different results every time I test?
Inconsistent results usually mean you're borderline between two seasons: about 30% of people are. Focus on the colors the two seasons share, and experiment with the ones they don't. Both palettes are useful to you.
Is my season based on skin color or hair color?
Both, plus eyes — your season is based on your overall coloring taken together. Skin undertone is the strongest signal, but hair depth and eye clarity both feed in. Someone with the same undertone but very different hair depth can land in a different season.
Can your color season change over time?
Your undertone is fixed, but depth and contrast shift as hair lightens or grays with age. Someone who was a Dark Autumn at 25 might move toward True or Soft Autumn by their 50s. If your results stopped feeling accurate, that could be why.
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